Wes Willenbring ‘Close, But Not Too Close’ – Igloo Magazine
Excerpt: “The eight tracks, driven mainly by guitar and/or piano with slight electronic tinkering, straddle a fine line between modern classical and drone. It’s very expressive music, painting ghostly images of barren wilderness and other forms of magnificent desolation… This type of music certainly encourages looking for the little things, trying to search out individual notes submerged in a sea of reverb, and Close, But Not Too Close has a lot of aural Easter eggs waiting to be discovered… less a collection of songs than it is pure mood, an audible fog that seeps from speakers to bathe home stereos in frozen moonlight.”
