My Majestic Star Reviews

My Majestic Star “I Haven’t Got it in Me” – The Dwarf

December 14th, 2009

Excerpt: “The album opens with eerie keyboards, reminiscent of a church organ, as the atmospheric grooves of Stranger begin, and the beautiful sounds of the cello waft through the speakers…It climbs hills, and traverses valleys as it takes you by the hand and leads you on a lazy meander through ten diverse yet musically polished numbers that embrace the senses. The hauntingly beautiful sounds of the cello mark the beginning of City Sleeps. I love the sound of the cello; the mood it creates is perfectly at ease with this style of music. This is music to daydream to…”

thedwarf.com

“A Million Square Miles” – Adequacy.net

November 23rd, 2009

Excerpt: “This is the rare exhibition of musical aptitude that delights from start to finish, with nary a disappointment to be found.  Being tagged by some as Australia’s answer to the British label 4AD, Hidden Shoal (HSR) does indeed specialize in a brand of music that places atmosphere, ambience, and texture high on the priority list.  With an onslaught of reverb and delay effects that would put the Edge to shame, this album features eight acts that run the gamut from quirky playfulness (Toby Richardson) to hypnotic melodrama (My Majestic Star). Hidden Shoals’ impressive roster on A Million Square Miles is bound to shore up some buzz, and deservedly so:  it’s an exhilarating listen from beginning to end.”
Adequacy.net

My Majestic Star “Crampling” – Drum Media

September 28th, 2009

Excerpt: “Crampling is a deliciously dreamy slice of tender post-shoegaze. Chris Mason’s signature reverb-soaked vocals sit perfectly with Miriam Braun’s delicate tones, creating a lush, thoroughly satisfying soundscape… they represent some of the best music [Perth] offers at the moment”

Drum Media

My Majestic Star Live @ Velvet Lounge – Faster Louder

June 25th, 2009

Excerpt: “Having impressed at this year’s RTR In the Pines mini-festival, four-piece shoegaze outfit My Majestic Star drew a healthy audience… a carefully crafted soundscape that grew so slowly that, like a bad parent, you barely noticed the growth until it was too late. By the set’s end it was as if a completely different band was playing; pulsing bass had replaced keyboard, heavy stick drumming had replaced light brush beats, and effect-drenched guitar soaked the atmosphere like the heavy rain outside… My Majestic Star showed enough set-building panache to satisfy the members of their steadily growing fan-base.”

Faster Louder